The mother of a POW came up to me and said: "I have received news that my son, who had been taken captive, is now martyred.

September 22 (Shahrivar 31st on the Iranian calendar)--the day when barbaric dictator Saddam Hussein sent his regime to invade Iran in 1980--marks the beginning of Sacred Defense Week in Iran. For this event Khamenei.

A group of martyred defenders of the Ahlulbayt (as) Shrines met with Ayatollah Khamenei, the Leader of the Islamic Revolution.

Iranian people held rallies in different parts of the country, including the capital, to mark the “National Day of Fight against Global Arrogance”, chanting slogans against such hegemonic powers as the United States.

Paradox is the main element of dramatic works. And we need two powers opposite each other in order to form any play; the two powers that one of which intends to change the current situation and the other one intends to keep the current situation. Therefore, all of the elements of the play and other elements are influenced by the intention of these two powers. And they develop parallel with these powers. We can observe “Clash”? in other narrative forms too. These other forms of narrative forms are namely myth, legend, story, old story, narrative movie, etc. all of these mentioned narrative forms find identity by getting help from clash and fighting. They change into an attractive possibility for following up an idea and target which is pre-identified by the writer. And they finally achieve a form of development and result. We can find one of the most beautiful forms of paradox in the sentence said by Hazrat Imam Ali [The first imam of the Shiite people] that was written at the beginning of the article. War is one of the outstanding appearances of paradox and clash. What ever the motivation of war is, it benefits from two opposing powers.